{"title":"Mingei","description":"\u003cp\u003e民藝\u003c\/p\u003e","products":[{"product_id":"tabinokaban","title":"A Travel Bag: New Edition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was born in Matsumoto City, Nagano Prefecture.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe resonated with the Mingei (folk craft) movement advocated by Soetsu Yanagi and became his disciple.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis later led to the founding of the Matsumoto Folk Craft Association and the opening of the Matsumoto Mingei kan (Matsumoto Folk Craft Museum).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1981, Taro Maruyama published “Tabi no Kaban” (A Travel Bag).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTabi no Kaban is a travel diary chronicling Maruyama’s journeys throughout Japan and Taiwan during the years 1976 to 1981.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhenever the impulse struck me, I would set out on my travels with ease—seeking out both old and new works of folk craft, conversing with the people I met along the way, and eating whatever foods happened to be available in each place. I imposed no particular aims upon my journeys, nor did I insist on what I should eat; instead, I simply let everything unfold as it came.(Excerpt from the afterword)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2023, we Shuosha published a new edition of this book.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45336598675628,"sku":null,"price":3300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006691.jpg?v=1790383986"},{"product_id":"tanuki","title":"Tanuki's Tokyo Journey","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was an avid traveler. One day, he set off for Tokyo — and this picture book is the story of that journey. The lovable tanuki is, in fact, Maruyama himself.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45353098608812,"sku":null,"price":880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006534_6b491fce-b33c-4241-aa7b-fe0a1036da68.jpg?v=1786885235"},{"product_id":"shushumonogatari","title":"Shushu Monogatari","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA collection of essays by the founder of Japan's\u0026nbsp;\u003c\/span\u003e\u003cem\u003eMingei\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;folk-craft movement, recounting the vivid stories behind the objects he gathered over a lifetime — the thrill of a lucky find, the one that got away, treasures discovered on the road. More\u0026nbsp;\u003c\/span\u003e\u003cspan\u003ethan a collector's memoir, it distills Yanagi's celebrated \"eye\" and his philosophy of beauty in everyday things. Binding and illustrations by\u0026nbsp;\u003c\/span\u003e\u003cspan data-wf=\"\" class=\"_wordAnimating_yu34g_11\"\u003eKeisuke\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-wf=\"\" class=\"_wordAnimating_yu34g_11\"\u003eSerizawa.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306185052332,"sku":"MIN-YANAGI-0001","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006142.jpg?v=1784252515"},{"product_id":"religious-miracles","title":"宗教的奇蹟","description":"\u003cp dir=\"ltr\"\u003e「民藝運動の父」として知られる柳宗悦は、宗教哲学者でもありました。\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eキリスト教の聖人伝や神秘家たちの記録を題材に、「奇蹟」が信仰者の内面でどのような意味を持つのかを掘り下げた宗教哲学の論考集。奇蹟を単なる作り話としてではなく、信仰体験の本質から読み解こうとした、柳の思索の原点にふれる作品です。\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e大正十年（1921年）発行。100年以上前の本にしては状態が良いです。\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306186526892,"sku":"MIN-YANAGI-0002","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006150_8480d99f-c6c1-4616-b826-ff8a6de844d2.jpg?v=1786066171"},{"product_id":"bansange","title":"Bansange","description":"\u003cp dir=\"ltr\"\u003eThe title\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eBansange\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003elikens the woodblock print to\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003esange\u003c\/em\u003e—the Buddhist gesture of scattering flowers before an altar as an offering—an emblematic choice of words from Munakata, an artist who poured a deep, lifelong Buddhist faith and passion into his work. Released in the midst of the Pacific War, the book is also valued as a document marking the origin of the artist who would later win worldwide fame as a woodblock master.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt was in this very book—in its afterword—that Munakata declared he would thereafter call all of his prints\u003cem\u003e banga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(板画, \"board pictures\"), deliberately using the character for \"board\/wood\" (板) in place of the usual character for \"print\" (版), to honor the innate nature of the wood and the spirit of the board brought directly to life.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306190327980,"sku":null,"price":44000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006168_bffca08a-def7-40b0-93bc-74568b3ef41a.jpg?v=1786631481"},{"product_id":"kawaikanjiro-no-hito-to-shigoto","title":"Kawai Kanjiro no Hito to Shigoto","description":"\u003cp dir=\"ltr\"\u003eKawai is a master of pottery. But he is, even more, a master of \"receiving.\" Whether meeting a person, watching a film, or gazing at an object, the way he receives its value is extraordinary. From what seems like nothing to others, he draws out something. Even if it truly is nothing, he receives it as something. No — he does not receive it passively; he actively draws it in and makes it his own.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the opening passage\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe author, Soetsu Yanagi (1889–1961), was the founder of the Mingei (Japanese folk craft) movement — he coined the very word \"mingei\" — and served as the first director of the Japan Folk Crafts Museum (Nihon Mingeikan) in Tokyo. This slim volume is Yanagi's essay on his close friend and fellow founder of the movement, the potter\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eKanjiro Kawai (1890–1966)\u003c\/strong\u003e\u003cspan\u003e, discussing both his character and his work in ceramics.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306196455596,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006133.jpg?v=1784127609"},{"product_id":"bijututokogei","title":"A Talk on Art and Craft ","description":"\u003cp dir=\"ltr\"\u003eThis is a reprint of the book originally published by Shōkasha in 1935 (Shōwa 10). Centering on the distinction between \"Art\" and \"Craft,\" it explores the nature of the beauty found in the everyday objects of daily life. This edition was published by Momoyama Shorin in 1946 (Shōwa 21) — the year after the end of the war, a period when many books were reprinted on poor-quality paper due to material shortages.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306210676908,"sku":"MIN-YANAGI-0003","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006159.jpg?v=1786225916"},{"product_id":"bitomoyo","title":"美と模様","description":"\u003cp dir=\"ltr\"\u003eThe book is collectively titled\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eBi to Moyō\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(Beauty and Pattern). It contains three essays: \"Kōgeiteki naru mono\" (That Which Is of Craft), \"Moyō to wa nani ka\" (What Is Pattern?), and \"Ningyō to ningen\" (Dolls and Human Beings). While each takes up a different subject, together they seek to show that beauty, pattern, and craft are bound to one another by ties that run deep.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the author's afterword\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSigned by the author in brush and ink.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306212544684,"sku":null,"price":44000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006209.jpg?v=1783949526"},{"product_id":"kogei-no-bi","title":"Kogei no Bi","description":"\u003cp dir=\"ltr\"\u003eThis is a privately published edition (\u003cem\u003eshihanbon\u003c\/em\u003e), limited to 150 copies, issued as a single volume in 1942 (Shōwa 17). It consists of two excerpts from Yanagi's book\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eKōgei no Michi\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(The Way of Crafts), first published at the end of 1928: the first chapter and the first section of the fourth chapter.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\"I had long held the wish to separate these parts and make them into a single book, for I believed that this would express my fundamental thoughts on craft in the simplest and clearest form.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe reason I have chosen to issue several of my books as private editions is solely to achieve proper bookbinding. Since a book is itself a work of craft, I feel that attempting proper binding is a duty for someone like myself.\"\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the author's afterword\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe text is printed on Mitsumata paper from Ogawa, Bushū (present-day Saitama Prefecture). The cover is bengara-dyed kudzu cloth (\u003cem\u003ekuzufu\u003c\/em\u003e) woven with cotton warp threads. The small illustrations (\u003cem\u003ekoma-e\u003c\/em\u003e) are by Keisuke Serizawa.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThere is a previous owner's stamp on the title page.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306215329964,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006221.jpg?v=1783922037"},{"product_id":"munakatashiko_hangashu","title":"Munakata Shiko Hanga-shu","description":"\u003cp\u003eMost reverently and with awe, I have humbly and undeservedly received the eloquent, painstaking prefaces of my two revered masters, Yanagi Sōetsu¹ and Umehara Ryūzaburō² — this is the supreme adornment, deep and inexhaustible.\u003c\/p\u003e\n\u003cp\u003eThis book is the first book of mine to be completed as a pure collection of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(woodblock prints), and it is precious for its earnest, single-minded significance.\u003c\/p\u003e\n\u003cp\u003eIn fear and awe I say: the nation met with calamity, and, bathed in its leaping flames, was made clean; and I do not regard it as a loss that nothing of my defiled, entire self was left remaining.\u003c\/p\u003e\n\u003cp\u003eThe shadowed carving-marks of the woodblocks that became flame turned, further, into\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e; and the supreme thing that has become this book is, I believe, a beautiful great\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ebodhi\u003c\/em\u003e-flower offered to the woodblocks themselves.\u003c\/p\u003e\n\u003cp\u003eFor my temporary dwelling until I go out to Tokyo, I give my whole body over to this Zakke-dō Hall, called Aizen-en, in Fukumitsu-machi, Toyama Prefecture, and there, setting my heart firm, welling up and sinking down in joy, I go on carving into\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ethe resonance of the great heaven and the great earth.\u003c\/p\u003e\n\u003cp\u003ePraying that\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eitself is Life, I do nothing but stride across, from this shore toward the far shore.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFebruary 22, 1947, at the Shingama — from Munakata Shikō's afterword.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e※\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe frontispiece is a woodblock print bearing Munakata's seal.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e¹\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eYanagi Sōetsu\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(1889–1961) — founder of the\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eMingei\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(folk-craft) movement; an early champion of Munakata's work.\u003cbr\u003e²\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eUmehara Ryūzaburō\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(1888–1986) — leading Western-style (\u003cem\u003eyōga\u003c\/em\u003e) painter of modern Japan.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306234859692,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006261_9f2ba72f-fdd1-40a3-ad73-649e6f587ad0.jpg?v=1781826465"},{"product_id":"keirokushu","title":"Keiroku shu","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was deeply inspired by the Mingei philosophy of Soetsu Yanagi, and played a significant role in inviting Yanagi and other leading figures of the Mingei movement to Matsumoto, Nagano Prefecture. He was one of those who contributed to the development of the Mingei movement in the city of Matsumoto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccording to the Hakusuisha Chinese Dictionary,\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ekeiroku\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(鶏肋, lit. \"chicken ribs\") means \"something not particularly useful, yet too precious to discard.\"\u003c\/p\u003e\n\u003cp\u003eScattered throughout this beautifully bound volume are works that must never be cast aside — illustrated stories crafted by Taro, woodblock prints exhibited at the Kokugakai, eggshell inlay works, painted letters, and more.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306237448364,"sku":null,"price":16500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006099.jpg?v=1780364017"},{"product_id":"板極道","title":"Ita Gokudo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn autobiographical essay by the woodblock print artist Shikō Munakata. He candidly recounts his life's journey—from his youth in Aomori, where he aspired to become a painter out of admiration for Van Gogh, through his years in oil painting, to his ultimate path as a\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;(woodblock print) artist. His talent was discovered by Sōetsu Yanagi, the leader of the Mingei (folk craft) movement, and others, setting him on the road to greatness. A volume that conveys the origins of an artist who devoted his entire life to the wooden board, and his single-minded passion for making things. Revised third edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306257502380,"sku":"MIN-MUNAKATA-0001","price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006237.jpg?v=1781527576"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/collections\/1_929c853e-a58f-4c8f-ba3a-8cf9260efbe9.jpg?v=1786744929","url":"https:\/\/shuosha-books.com\/en\/collections\/mingei.oembed","provider":"書肆 秋櫻舎　SHUOSHA","version":"1.0","type":"link"}