{"title":"All Collections","description":"\u003cp\u003eすべての商品\u003c\/p\u003e","products":[{"product_id":"daido-platform","title":"PLATFORM","description":"\u003cp class=\"no-copy\"\u003ePhotographer Daido Moriyama took platforms of Tokyo in the 1970s. The crowds waiting for the train, the structure of the platform, the people's clothing, expressions, and signs all represent the Showa era. Also included is a text by Minoru Shimizu entitled \"Daido Moriyama, Darkroom Street\" (English and Japanese)\u003c\/p\u003e\n\u003cp\u003eSigned by Daido Moriyama in silver pen. Some discoloration on the spine due to age.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c!----\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45280610156716,"sku":"PH-DAIDO-0002","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0003336.jpg?v=1770737283"},{"product_id":"self-and-others","title":"SELF AND OTHERS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShigeo Gocho was a photographer who died at the age of 36. His photobook\u0026nbsp;\u003c\/span\u003e\u003cem\u003eSelf and Others\u003c\/em\u003e\u003cspan\u003e, originally self-published in 1977, was reissued in hardcover by publisher Miraisha, Tokyo, in 1994. Composed primarily of portraits captured through Gocho's quiet and poetic gaze, it is regarded as one of the masterworks in the history of Japanese photography.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":44578294595756,"sku":"PH-GOCHO-0001","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0003078_c118cf23-a4bd-472e-b71a-0633ce42a529.jpg?v=1778114718"},{"product_id":"yohko","title":"Yohko","description":"\u003cp data-start=\"67\" data-end=\"218\"\u003eOver the course of ten years, one man photographed one woman. The man was a photographer. For a photographer, taking photographs may seem only natural.\u003c\/p\u003e\n\u003cp data-start=\"220\" data-end=\"695\"\u003eYet within the bond of a man and a woman joined together, neither is necessarily a purely visual presence to the other. In the weave of daily life, threaded with shifting emotions and bodily rhythms, there is almost no time in which they truly look at one another. The human eye is, by nature, a cold observer. To see everything laid bare would be the act of a fool. Human beings are fragile creatures, at once absurd and sorrowful, unable to endure such an unflinching gaze.\u003c\/p\u003e\n\u003cp data-start=\"697\" data-end=\"739\"\u003eAnd yet, this man continued to photograph.\u003c\/p\u003e\n\u003cp data-start=\"741\" data-end=\"795\"\u003e— From Shoji Yamagishi, \u003cem data-start=\"765\" data-end=\"777\"\u003eKarasu Mau\u003c\/em\u003e (Crows in Flight)\u003c\/p\u003e\n\u003cp data-start=\"797\" data-end=\"893\"\u003eEdited primarily from works published intermittently in \u003cem data-start=\"853\" data-end=\"870\"\u003eCamera Mainichi magazine\u003c\/em\u003e\u0026nbsp;between 1964 and 1976.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46188559663276,"sku":"PH-FUKASE-0001","price":121000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/31645100b567b8b87ea32572e7e71f79_2e4b8539-dc09-4f3c-a6bb-29e1176f98e4.jpg?v=1770823484"},{"product_id":"shashin-shijo-shugi","title":"Sentimentalism (60)","description":"\u003cp\u003eAraki’s 60th Anniversary Commemorative Photo Book.\u003cbr\u003eA total of 201 works were carefully selected from 5,000 rolls of medium-format (120) film shot with a Plaubel Makina 67, and arranged in chronological order.\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45311406637228,"sku":"PH-ARAKI-0001","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0003799_2.jpg?v=1770306523"},{"product_id":"irresistible-steps-1956-1988","title":"IRRESISTIBLE STEPS 1956-1988","description":"\u003cp\u003eMori - san, want to come? He would always invite me along. And I would happily follow Inoue - san around, like a puppy after a parent dog, through the flophouse of Kamagasaki, under the overpasses of Sonedaki, the slums of Juso Osaka. On these trips there would always be ablack Nikon glued to one of his hands, nd with deft movements he would shoot segments of the chaotic streets with the dexterity of a pick pocket. It was all I could do to just keep up with him, but just walking around with the dauntless Inoue-san made me proud and happy. Navigating the streets with his broad shoulders, Inoue-san was asource of endless inspiration form me,\u0026nbsp; a mere fledgling at the time.　\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp data-start=\"673\" data-end=\"902\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u0026nbsp;\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45312852394156,"sku":"PH-INOUE-0001","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/1_c3d2febe-7c27-4674-ae4a-876e10ea4273.jpg?v=1770346965"},{"product_id":"hawaii","title":"Hawaii","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWhy Hawaii, and why did I want to photograph it ? Even now, after completing the work, I still do not know. Perhaps, somewhere beneath the surface of my consciousness, there had always been a single thread of memory that quietly led me toward the islands of Hawaii. It feels as though I was following a longing for an unseen Hawaii that had lived within me since childhood. Even if that memory existed beyond the reach of awareness, there is no denying that, for me, this was a place already prepared.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e(Excerpt from the artist’s text)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis volume presents 291 monochrome photographs, taken over a period of three years.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45321082208428,"sku":"PH-DAIDO-0001","price":21000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0003149.jpg?v=1770694103"},{"product_id":"tabinokaban","title":"A Travel Bag: New Edition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was born in Matsumoto City, Nagano Prefecture.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe resonated with the Mingei (folk craft) movement advocated by Soetsu Yanagi and became his disciple.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis later led to the founding of the Matsumoto Folk Craft Association and the opening of the Matsumoto Mingei kan (Matsumoto Folk Craft Museum).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1981, Taro Maruyama published “Tabi no Kaban” (A Travel Bag).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTabi no Kaban is a travel diary chronicling Maruyama’s journeys throughout Japan and Taiwan during the years 1976 to 1981.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhenever the impulse struck me, I would set out on my travels with ease—seeking out both old and new works of folk craft, conversing with the people I met along the way, and eating whatever foods happened to be available in each place. I imposed no particular aims upon my journeys, nor did I insist on what I should eat; instead, I simply let everything unfold as it came.(Excerpt from the afterword)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2023, we Shuosha published a new edition of this book.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45336598675628,"sku":null,"price":3300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006691.jpg?v=1790383986"},{"product_id":"tanuki","title":"Tanuki's Tokyo Journey","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was an avid traveler. One day, he set off for Tokyo — and this picture book is the story of that journey. The lovable tanuki is, in fact, Maruyama himself.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":45353098608812,"sku":null,"price":880.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006534_6b491fce-b33c-4241-aa7b-fe0a1036da68.jpg?v=1786885235"},{"product_id":"bukubuku","title":"bukubuku","description":"\u003cp class=\"p1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEver since the series was shown at \"Shikei (Private view) '92\" (February 1992), the artist's last solo exhibition before he closed his photographic activities due to an accident that followed, 'Bukubuku (Bubbling)' has been remembered among us as Masahisa Fukase's unspoken of work, a series that had been sealed, so to speak. At the time, related to certain aspects of the show, there was, behind the scenes, a growing atmosphere where people had started to have misgivings about Fukase's confused and failing behaviors. Friends had started to worry about him living alone, and when before too long, the accident occurred, the whole event itself, too, was taken as an incident that characterized Fukase as a photographer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e-\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ewhat strikes me now going through Fukase's last series of works, is how they were backed up by thorough consideration so as to produce specific images. Especially the cautious way 'Bukubuku (Bubbling) was shot day by day. Test shots were taken with care as he calmly framed himself accurately in the tiny stainless steel bathtub floating unsteadily. Fukase's autistic photography act where the revelational digital numbers showed the date, continued exactly for one month.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: right;\"\u003eKyoko Yamagishi\u003cbr\u003eFrom the afterword\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46253395902636,"sku":"PH-FUKASE-0002","price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0003991_89607a60-4700-4ab0-ba22-4862cc417620.jpg?v=1778851645"},{"product_id":"fushikaden","title":"Fushi Kaden","description":"\u003cp\u003eFushi Kaden, which also the title of his present work has been translated as \"Transmission of the Flower of the Art.\"The term was originally the titela of a 15th Century literary work by Zeami on the classical Japanese theathr of the Noh.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eーThe main reason why Fushi Kaden was borrowed as the title for Suda's present work is because Suda himself is an avid reader of Zeami's original Fushikaden. The Noh and photography are, of course, different modes of expression. Yes, Suda has found much to learn on art in the teachings of Zeami that he also feels may be applied to photography.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003eAkira Hasegawa\u003cbr\u003efrom afterword\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46256586817708,"sku":"PH-SUDA-0001","price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0005667.jpg?v=1778991771"},{"product_id":"hatsukuni","title":"Hatsukuni ","description":"\u003cp data-path-to-node=\"4,0\"\u003ePutting an end to the work I had been continuously pursuing since 1978, the very day after deciding on the book design for \u003ci data-index-in-node=\"123\" data-path-to-node=\"4,0\"\u003eTokyojin 1973-1983\u003c\/i\u003e, I set off for the north. It began in Aomori, in the height of summer.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4,1\"\u003eI had no clear aim or vision; I was simply consumed by an overwhelming desire to leave Tokyo. Was this perhaps that “intense desire, the very opposite of nostalgia” (as M. Butor put it) that drives city dwellers into endless journeys? \u003cbr\u003e\u003cbr\u003e(Excerpt from Afterword)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46286823719084,"sku":"PH-TAKANASHI-0001","price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0005651.jpg?v=1779237207"},{"product_id":"yukiguni","title":"Snow Land","description":"\u003cp\u003eThis book is a collection of photographs taken of the customs and folkways in that part of Japan known as Niigata Prefecture.\u003cbr\u003e\u0026nbsp;Situated along the Japan Sea in the central part of Honshu Island,\u0026nbsp; Niigata Prefecture is Japan's leading rice-producing prefecture, but it is a district covered by snow during one - third of the year. Photographs taken of Niigata during the snow season alone have been collected and edited for this book.\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eHiroshi Hamaya \u003cbr\u003e(From the Afterword)\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46297098092716,"sku":"PH-HAMAYA-0001","price":43000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0005634.jpg?v=1779376577"},{"product_id":"狐の手套","title":"狐の手套","description":"\u003cp\u003e「狐の手套（てぶくろ）」とは、夏に紫色の花を咲かせる「ジギタリス」という花の別名です。英語名の「フォックスグローブ（狐の手袋）」から来ています。\u003c\/p\u003e\n\u003cp\u003e堀辰雄はこの書名について「昔からよく随筆の題にはその筆者の好む花の名などが用いられている。あれは何となく気もちの好いものである」と記しています。随筆集に好きな花の名を付ける昔からの習わしに倣って名付けた一冊です。\u003c\/p\u003e\n\u003cp\u003e刊行年の昭和11年は、堀辰雄が代表作『風立ちぬ』を書き始めた年。婚約者・矢野綾子を結核で亡くした昭和10年の直後にあたる、作家にとって重要な時期の出版です。\u003c\/p\u003e\n\u003cp\u003e版元の野田書房は、昭和10年代に造本の美しさで知られた限定本の名門版元で、のちに『風立ちぬ』初版（昭和13年・限定500部）も同書房から刊行されています。\u003c\/p\u003e\n\u003cp\u003e本書初版の紙カバーは大変デリケートなため現存するものが少なく、カバー付きの一冊は非常に貴重です。本冊は著者・堀辰雄のペン署名入り。\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306182201516,"sku":null,"price":220000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006289.jpg?v=1783387922"},{"product_id":"shushumonogatari","title":"Shushu Monogatari","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA collection of essays by the founder of Japan's\u0026nbsp;\u003c\/span\u003e\u003cem\u003eMingei\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;folk-craft movement, recounting the vivid stories behind the objects he gathered over a lifetime — the thrill of a lucky find, the one that got away, treasures discovered on the road. 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Binding and illustrations by\u0026nbsp;\u003c\/span\u003e\u003cspan data-wf=\"\" class=\"_wordAnimating_yu34g_11\"\u003eKeisuke\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-wf=\"\" class=\"_wordAnimating_yu34g_11\"\u003eSerizawa.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306185052332,"sku":"MIN-YANAGI-0001","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006142.jpg?v=1784252515"},{"product_id":"religious-miracles","title":"宗教的奇蹟","description":"\u003cp dir=\"ltr\"\u003e「民藝運動の父」として知られる柳宗悦は、宗教哲学者でもありました。\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eキリスト教の聖人伝や神秘家たちの記録を題材に、「奇蹟」が信仰者の内面でどのような意味を持つのかを掘り下げた宗教哲学の論考集。奇蹟を単なる作り話としてではなく、信仰体験の本質から読み解こうとした、柳の思索の原点にふれる作品です。\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e大正十年（1921年）発行。100年以上前の本にしては状態が良いです。\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306186526892,"sku":"MIN-YANAGI-0002","price":4400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006150_8480d99f-c6c1-4616-b826-ff8a6de844d2.jpg?v=1786066171"},{"product_id":"bansange","title":"Bansange","description":"\u003cp dir=\"ltr\"\u003eThe title\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eBansange\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003elikens the woodblock print to\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003esange\u003c\/em\u003e—the Buddhist gesture of scattering flowers before an altar as an offering—an emblematic choice of words from Munakata, an artist who poured a deep, lifelong Buddhist faith and passion into his work. 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But he is, even more, a master of \"receiving.\" Whether meeting a person, watching a film, or gazing at an object, the way he receives its value is extraordinary. From what seems like nothing to others, he draws out something. Even if it truly is nothing, he receives it as something. No — he does not receive it passively; he actively draws it in and makes it his own.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the opening passage\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe author, Soetsu Yanagi (1889–1961), was the founder of the Mingei (Japanese folk craft) movement — he coined the very word \"mingei\" — and served as the first director of the Japan Folk Crafts Museum (Nihon Mingeikan) in Tokyo. This slim volume is Yanagi's essay on his close friend and fellow founder of the movement, the potter\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eKanjiro Kawai (1890–1966)\u003c\/strong\u003e\u003cspan\u003e, discussing both his character and his work in ceramics.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306196455596,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006133.jpg?v=1784127609"},{"product_id":"utsukusshiimura","title":"Utsukushii Mura","description":"\u003cp\u003eA lyrical prose masterpiece set against the tranquil highland scenery of Karuizawa. This work serves as a precursor to his celebrated novel\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eKaze Tachinu\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(The Wind Has Risen), sharing the same protagonist and the same quiet, melancholic atmosphere. A landmark of modern Japanese literature.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306199797932,"sku":null,"price":3300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006113.jpg?v=1780961569"},{"product_id":"izunoodoriko","title":"Izu no Odoriko","description":"\u003cdiv data-index=\"23\"\u003e\n\u003cdiv class=\"epitaxy-transcript-width pb-[var(--chat-turn-gap)] empty:pb-0\"\u003e\n\u003cdiv data-epitaxy-entry=\"msg_01BVg9o23XdqemiTNuxqwdTh\"\u003e\n\u003cdiv class=\"group\/msg relative flex flex-col w-full\"\u003e\n\u003cdiv class=\"flex flex-col gap-[var(--chat-item-gap)] select-text\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"epitaxy-markdown\"\u003e\n\u003cp\u003eA limited edition of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eThe Izu Dancer\u003c\/em\u003e, one of Kawabata Yasunari's defining early works. Published by Noda Shobo in 1938 (Showa 13), this is a rare volume and one of only 150 copies, bearing the author's signature and individual copy number.\u003c\/p\u003e\n\u003cp\u003eSince its debut in 1926 (Taisho 15), this lyrical story of a fleeting encounter between a traveling student and a young dancer from a wandering troupe has been cherished as the origin of Kawabata's literary world. Produced just twelve years after the work's first publication, this limited edition stands as a precious record of pre-World War II Japanese book culture.\u003c\/p\u003e\n\u003cp\u003eNoda Shobo was a pioneering publisher of limited edition books in the pre-World War II era, and this volume — carefully crafted in both binding and paper — possesses a beauty that transcends its value as a literary artifact. Following Kawabata's Nobel Prize in Literature in 1968 (Showa 43), appreciation for his work grew further, and signed limited editions from the pre-war era have since attracted exceptional interest from collectors both in Japan and abroad.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306209333420,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006124.jpg?v=1781013781"},{"product_id":"bijututokogei","title":"A Talk on Art and Craft ","description":"\u003cp dir=\"ltr\"\u003eThis is a reprint of the book originally published by Shōkasha in 1935 (Shōwa 10). Centering on the distinction between \"Art\" and \"Craft,\" it explores the nature of the beauty found in the everyday objects of daily life. This edition was published by Momoyama Shorin in 1946 (Shōwa 21) — the year after the end of the war, a period when many books were reprinted on poor-quality paper due to material shortages.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306210676908,"sku":"MIN-YANAGI-0003","price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006159.jpg?v=1786225916"},{"product_id":"bitomoyo","title":"美と模様","description":"\u003cp dir=\"ltr\"\u003eThe book is collectively titled\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eBi to Moyō\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(Beauty and Pattern). It contains three essays: \"Kōgeiteki naru mono\" (That Which Is of Craft), \"Moyō to wa nani ka\" (What Is Pattern?), and \"Ningyō to ningen\" (Dolls and Human Beings). While each takes up a different subject, together they seek to show that beauty, pattern, and craft are bound to one another by ties that run deep.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the author's afterword\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSigned by the author in brush and ink.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306212544684,"sku":null,"price":44000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006209.jpg?v=1783949526"},{"product_id":"kogei-no-bi","title":"Kogei no Bi","description":"\u003cp dir=\"ltr\"\u003eThis is a privately published edition (\u003cem\u003eshihanbon\u003c\/em\u003e), limited to 150 copies, issued as a single volume in 1942 (Shōwa 17). It consists of two excerpts from Yanagi's book\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eKōgei no Michi\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(The Way of Crafts), first published at the end of 1928: the first chapter and the first section of the fourth chapter.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\"I had long held the wish to separate these parts and make them into a single book, for I believed that this would express my fundamental thoughts on craft in the simplest and clearest form.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe reason I have chosen to issue several of my books as private editions is solely to achieve proper bookbinding. Since a book is itself a work of craft, I feel that attempting proper binding is a duty for someone like myself.\"\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e— Excerpt from the author's afterword\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe text is printed on Mitsumata paper from Ogawa, Bushū (present-day Saitama Prefecture). The cover is bengara-dyed kudzu cloth (\u003cem\u003ekuzufu\u003c\/em\u003e) woven with cotton warp threads. The small illustrations (\u003cem\u003ekoma-e\u003c\/em\u003e) are by Keisuke Serizawa.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThere is a previous owner's stamp on the title page.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306215329964,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006221.jpg?v=1783922037"},{"product_id":"munakatashiko_hangashu","title":"Munakata Shiko Hanga-shu","description":"\u003cp\u003eMost reverently and with awe, I have humbly and undeservedly received the eloquent, painstaking prefaces of my two revered masters, Yanagi Sōetsu¹ and Umehara Ryūzaburō² — this is the supreme adornment, deep and inexhaustible.\u003c\/p\u003e\n\u003cp\u003eThis book is the first book of mine to be completed as a pure collection of\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(woodblock prints), and it is precious for its earnest, single-minded significance.\u003c\/p\u003e\n\u003cp\u003eIn fear and awe I say: the nation met with calamity, and, bathed in its leaping flames, was made clean; and I do not regard it as a loss that nothing of my defiled, entire self was left remaining.\u003c\/p\u003e\n\u003cp\u003eThe shadowed carving-marks of the woodblocks that became flame turned, further, into\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e; and the supreme thing that has become this book is, I believe, a beautiful great\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ebodhi\u003c\/em\u003e-flower offered to the woodblocks themselves.\u003c\/p\u003e\n\u003cp\u003eFor my temporary dwelling until I go out to Tokyo, I give my whole body over to this Zakke-dō Hall, called Aizen-en, in Fukumitsu-machi, Toyama Prefecture, and there, setting my heart firm, welling up and sinking down in joy, I go on carving into\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003ethe resonance of the great heaven and the great earth.\u003c\/p\u003e\n\u003cp\u003ePraying that\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eitself is Life, I do nothing but stride across, from this shore toward the far shore.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFebruary 22, 1947, at the Shingama — from Munakata Shikō's afterword.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e※\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe frontispiece is a woodblock print bearing Munakata's seal.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e¹\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eYanagi Sōetsu\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(1889–1961) — founder of the\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eMingei\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(folk-craft) movement; an early champion of Munakata's work.\u003cbr\u003e²\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cstrong\u003eUmehara Ryūzaburō\u003c\/strong\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(1888–1986) — leading Western-style (\u003cem\u003eyōga\u003c\/em\u003e) painter of modern Japan.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306234859692,"sku":null,"price":180000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006261_9f2ba72f-fdd1-40a3-ad73-649e6f587ad0.jpg?v=1781826465"},{"product_id":"keirokushu","title":"Keiroku shu","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTaro Maruyama was deeply inspired by the Mingei philosophy of Soetsu Yanagi, and played a significant role in inviting Yanagi and other leading figures of the Mingei movement to Matsumoto, Nagano Prefecture. He was one of those who contributed to the development of the Mingei movement in the city of Matsumoto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccording to the Hakusuisha Chinese Dictionary,\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003ekeiroku\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(鶏肋, lit. \"chicken ribs\") means \"something not particularly useful, yet too precious to discard.\"\u003c\/p\u003e\n\u003cp\u003eScattered throughout this beautifully bound volume are works that must never be cast aside — illustrated stories crafted by Taro, woodblock prints exhibited at the Kokugakai, eggshell inlay works, painted letters, and more.\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306237448364,"sku":null,"price":16500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006099.jpg?v=1780364017"},{"product_id":"板極道","title":"Ita Gokudo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn autobiographical essay by the woodblock print artist Shikō Munakata. He candidly recounts his life's journey—from his youth in Aomori, where he aspired to become a painter out of admiration for Van Gogh, through his years in oil painting, to his ultimate path as a\u0026nbsp;\u003c\/span\u003e\u003cem\u003ehanga\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;(woodblock print) artist. His talent was discovered by Sōetsu Yanagi, the leader of the Mingei (folk craft) movement, and others, setting him on the road to greatness. A volume that conveys the origins of an artist who devoted his entire life to the wooden board, and his single-minded passion for making things. Revised third edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"書肆 秋櫻舎 \/ SHUOSHA","offers":[{"title":"Default Title","offer_id":46306257502380,"sku":"MIN-MUNAKATA-0001","price":11000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/1356\/9964\/files\/R0006237.jpg?v=1781527576"}],"url":"https:\/\/shuosha-books.com\/en\/collections\/all-collentions.oembed?page=2","provider":"書肆 秋櫻舎　SHUOSHA","version":"1.0","type":"link"}